Visiting Scholar/ Adjunct Assistant Professor, Philosophy
Visiting Assistant Professor
Thesis Title: The Intelligible Creator God and the Intelligent Soul of the Cosmos in Plato's Metaphysics and Theology
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Charles Kahn
Susan Suavé Meyer |
About
My two main areas of research are:
* Ancient Greek Philosophy
(with lots of spill-over into classics and the history of science)
[Currently writing about Plato's late metaphysics/cosmology/theology; other significant past or ongoing projects have been on Aristotle's view of science/knowledge and its relationship to 'first philosophy' (especially Metaphysics IV); the Stoic Archai; Greek Philosophical Theology; Cradle Arguments]
*Issues at at the intersection of the history and philosophy of science, metaphysics, and epistemology.
Under that heading, I'm particularly keen on:
- how and why things should be grouped together (issues of concepts/universals/natural kinds/species/natures)
- what influence philosophy (especially metaphysics and epistemology) has and has had on other intellectual and social domains
- the internal logic of philosophical systems (i.e. typologies of world-views; how commitments to certain methods and theses in one area of philosophy often lead to or even constitute positions in other areas)
- What motivates the development of 'transcendental' philosophies, both Platonist and Kantian/Idealist? I work on Plato and dabble in Kant, but I'm an Aristotelian through and through. I want to know how it is that historical geniuses, e.g. Plato and Kant, end up saying that the world we see isn't fully real - a view which is, prima facie, loony.
[Have a forthcoming article on species concepts and natural kinds; starting to work on how issues of kinds/species demarcation might bare on questions of 'human nature'.
I dabble in early modern philosophy, primarily on Locke and Kant.
I am also interested in Objectivism.
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[My main hobby is writing (formal) poetry, and so I pursue a personal/non-professional interest in historical poetry, especially ancient Greek, 18th-19th c. German and English (Romantics and Victorians), and epics].
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